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2G No. 78: Junya Ishigami de Kayoko Ota,Hans Ulrich Obrist

Descripción - Reseña del editor The latest in the 2G Architecture series focuses on Junya Ishigami ‘To have a vision that is as flexible, as open, as subtle as possible to go beyond conventional wisdom about architecture’ Ishigami In his works, which he compares readily to landscapes, Ishigami removes the boundary between the outside and the inner space. Transparency, lightness, organic forms, vegetation make up his vocabulary. His vision of the future is optimistic, ecological, and the prospects of this young Utopian are not barred by any limit. The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young and almost unknown architect who had worked for several years with Kazuo Sejima, and had only founded his studio junya.ishigami+associates in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate and somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proponents of new Japanese architecture. Initially forcing the limits of transparency and lightness, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China, or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the earthly and nature.Table of ContentsOn Architecture: Kayoko Ota interviews Junya Ishigami • Kanagawa Institute ofTechnology Workshop, Kanagawa • Yohji Yamamoto Store, New York • Japan Pavillon,11th International Architecture Biennale, Venice • Kanagawa Institute of TechnologyMulti-Purpose Plaza, Kanagawa • House with plants, Tokyo • Polytechnic Museum,Moscow • Park Groot Vijversburg Visitor Center, Tytsjerk • House for the Elderly, JapanBotanical Garden Art Biotop / Water Garden, Tochigi • House and restaurant, WesternJapan • House, Japan • Forest Kindergarten, Shandong • Chapel of the Valley, ShandongEight villas, Dali • Cultural Center, Shandong • JINS Eyewear Shop, Shanghai • NexusConversation with Junya Ishigami, Hans Ulrich Obrist Contraportada The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young an almost unknown architect who had worked for several years with Kazuo Sejima and had not long with his studio junya.ishigami +associates, founded in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate a somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proposals of the recent Japanese architecture. Forcing the limits of transparency and lightness in the beginning, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the telluric and the nature.

Detalles del Libro

Name: 2G No. 78: Junya Ishigami
Autor: Kayoko Ota,Hans Ulrich Obrist
Categoria: Libros,Arte, cine y fotografía,Arquitectura
Tamaño del archivo: 7 MB
Tipos de archivo: PDF Document
Idioma: Español
Archivos de estado: AVAILABLE

LIBRO 2G No. 78: Junya Ishigami de Kayoko Ota,Hans Ulrich Obrist PDF ePub

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